Sunday, September 17, 2023

Use it or lose it

One of the scholars who is frequently cited in articles that promote how everyone should sing is the late Professor Stephen Demorest of Northwestern University. He has conducted some of the most prominent research studies demonstrating how singing is a learnable skill and is not as dependent on "talent" as we are often led to believe. Importantly, his research also highlights how singing skills take practice to maintain (just like speaking a second language, doing a backflip, etc.) or we risk succumbing to the "use it or lose it" phenomenon. 

The pertinent research was published in the journal Music Perception, and is summarized in an article in the Northwestern News. In the study, investigators compared the singing accuracy of kindergarteners, sixth graders, and college students. They found there was significant improvement in students' skills from kindergarten to sixth grade, which—go figure—is when most students are getting some sort of consistent music instruction in school. From sixth grade to college, however, students regressed in their abilities and were only singing as accurately as the kindergarteners in the study. 

As the article describes, the years between sixth grade and the end of high school (when their singing abilities started to decline) are when most children experience voice changes due to puberty (it doesn't receive as much attention, but it's worth noting that children who experience an estrogen-dominant puberty, as opposed to a testosterone-dominant puberty, also experience significant voice changes during those years). I suspect the vocal instabilities of adolescence and the heightened self-consciousness that coincides with that time of life cause many students to stop singing around that time—or at least to stop singing in front of others. 

Of course, a lot of students that age simply choose to focus their energies in other areas, since those are also the years when they start filling their schedules with sports, AP classes, and other activities that place demands on their time. The arts, music, and singing often get left behind. As Demorest points out in the article, by eighth grade, only 34% of children in the United States participate in elective music instruction, and that number declines even more by the time students reach high school graduation.

I think we all understand that if someone trains as a figure skater from kindergarten through sixth grade, and then stops, that person will not be as good a skater by the time they get to college. Logically, this applies to singing, as well. 

Of course, the other noteworthy results that come out of Demorest's research is how it highlights the psychological baggage we bring to singing that we don't bring into other activities. As mentioned in the article, children who have been told that they can’t sing are less likely to engage with music throughout life. Many of them carry painful memories—like being called "tone deaf"—well into adulthood. 

As Demorest states, “Everyone should be able to have music as a part of their life. It’s OK to select out of it, but it should be by choice, rather than because you think you don’t have ‘talent.' And if at any point in life you decide to become more engaged, you can be...When people are unsuccessful [at singing] they take it very personally, but we think if you sing more, you’ll get better.”

One way Demorest suggests people can continue to use their voices regularly is to have low-stakes opportunities in music that don’t require the commitment of time that playing in a band or an orchestra does. “People need a place to sing and have fun without worrying about how good they are,” he said. 

I would argue that even those of us who have professional aspirations as vocalists need these sorts of low-stakes opportunities to sing. Focused practice is obviously crucial for building specific skills, but recreational singing, or just jamming out with friends, is also allowed to be part of your vocal exercise (actually, it's encouraged). 

How has your practice been this week? Do you need more low-stakes opportunities to sing with others? How can you add that to your life? 

Now go practice. 



19 comments:

  1. I find that the idea of voice changes due to puberty, vocal instability, and heightened self-consciousness of the middle/high school ages is absolutely correlated to the regression that occurs from 6th grade through college. There were many times in college that I found myself having conversations with people about the fact that choir, show-choirs, and musicals seem “fun” but are much too “vulnerable” to attempt in a way that wouldn’t affect their egos. With that said, lots of those same people partook in those activities Senior year and absolutely loved them and met me with “I wish I did this all four years!” This enjoyment ultimately came from a mindset switch from seeing those activities as high pressure and changing them to be seen as a means for fun at school as a “last-hoorah”. Thinking back on this, I realize that I need much more low stakes singing in my life. While there are times where I sing low stakes in the car with my friends, I find myself having trouble doing that when I am on my own. Practice this week has been a lot of fun; I’ve been playing with my pop sound! And ironically enough, I’ve had more thoughts of “this has been so fun”, because I haven’t put pressure on myself given the fact that I don’t do pop music usually, so I didn’t have high expectations.

    Alexa Shaheen

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  2. This post definitely made me relive childhood memories when I was in middle school and told to "shut up" when I would sing. It was situations like that definitely made me self-conscious to sing in front of others. But when you surround yourself in an environment that is as safe and supportive as the theatre department has been, I feel encouraged to want to take my singing to the next level. The "use it or lose it" method is also something I agree with as just this week I had gone one day without practicing singing and it reflected in my singing the following day. It really goes to show how crucial it is to continue doing and practicing the skills that make us the artistic performers we love to be. At the end of the day, I would say the only things I need to do is just be more mindful and hold myself more accountable when I know I haven't practiced singing or any other skill for that matter.

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  3. I've always placed such high expectations on myself so a lot of my vocal hinderance I think comes from myself. I don't like the way I sound when I record myself singing or when I'm submitting an audition. I definitely walked away from theatre for a bit because of this. I was way too hard on myself and made myself think I wasn't good enough without even trying to put in more work to get better. In High School I got myself back into the game and started taking voice lessons after I left choir but there was still that sense of needing to sing the right way and having to adjust myself to singing a specific way even if at times it felt uncomfortable to me. This made me not like singing more but I still persisted and it allowed to find the things that worked for me and I was able to use some of the points and throw out the ones that made no sense to me. I would say now I am more confident and have seen growth in my voice since I started back up my sophomore year of high school. I hope to be able to continue my practicing that pushes me to find new things that work best for me and really focus on them.

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  4. I definitely think that puberty has a lot to do with people stopping singing and becoming more self conscious. Even as someone who wants to do this professionally I have felt the self consciousness, especially with the expectation of being good because I am constantly working on it. I try to get myself out of this mindset by seeking fun opportunities, but even in those opportunities I find myself trying to perform and trying to be good, which almost defeats the whole point of those low pressure situations. I love singing and the idea of karaoke (my Bar Mitzvah party was actually a NYC themed karaoke party), but I have such a hard time getting up to do it unless its with a really small group that I trust. I think that low pressure singing opportunities would be beneficial to decreasing the pressure I put on myself, but I need to work on actually singing in those situations rather than just enjoying by watching.

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  5. I completely agree that going through vocal changes and growing has a lot to do with increased insecurity in singing. Reflecting on my personal experiences, I realized that I tend to compare myself a lot to how I was able to sing in High School. However, I was singing all day long 5 days a week, in musicals, vocal technique classes, in choir, and acapella group. Not only was I practicing every day, but I hadn't fully grown yet! My voice has changed and I don't have the opportunity to have singing etched into my daily routine like it once was. It isn't fair to me to hold myself to this impossible standard, but through this class and the amazing and supportive environment my peers have created, I am finding my love for singing once again.

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  6. The idea of "use it or lose it" is something I am very familiar with, but not with singing, as that is exactly what happened with me and playing piano. I started in 1st grade, stopped in 6th grade, and picked it back up again end of senior year. I noticed that most of what I had learned in that time had disappeared and I was essentially starting from scratch. I was fortunate enough, however, to have been given constant opportunities to sing throughout my entire grade school experience. I think for many people, being given more low cost opportunities to sing would be a wonderful opportunity to grow that aspect of their lives. For me its probably most prevalent singing in the car, but I could likely do a better job finding other chances to just let loose and sing.

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  7. I love the ending portion of the blog, One of my favorite things to do with my friends is to have occasional karaoke jam seshes where we just get silly and sing whatever we want. Music has always been a part of my life, I grew up playing violin but I didn’t really start singing until I was 10, and going through voice changes throughout high school was a not necessarily a hard adjustment, but it also wasn’t easy. I couldn’t sing my favorite songs in the original key anymore :((( . Jokes aside, vocally, I don’t think there’st been a long period in my life where I stopped singing all together. I really do sing all the time around the house (sorry roomies), but I still very much get in my head when trying to let go, but I’ve begun to let the cracks and faults show because that’s a way for the voice to get used to new things I’m learning!

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  8. This was a great read. The "use it or lose it" notion evidently holds truth in whatever skill we desire to improve. With this being said, it's very unfortunate that, for whatever reason, singing has a certain stigma to it in the sense that if you aren't at least somewhat naturally gifted vocally, there isn't a point in honing your voice. My connection to the "use it or lose it" doctrine relates to me and my falsetto. Throughout my training, I've been told if I specifically avoid using my head voice, my ability in that register will weaken. I think it's interesting how stigma can tie into this, as well. For instance, young, male representing singers might neglect to improve their falsettos in an effort to sound more "masculine." Overall, this read, for me, has reinforced the idea of dedication over talent.

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  9. I do think I need more low stakes vocal use, or maybe i need to take more advantage of the ones around me. Sometimes it can feel like even when I’m singing in the car it’s like I have to think on my placement and my breath control. But I also think having my mind on placement and breath control can lead to me being more confident in those aspects. In short I want to start having more fun with singing, I think that’s something I’m improving on but it is also something I desperately wish to have back.

    Tate Foshay

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  10. I found the study mentioned at the beginning of this article to be quite intriguing. Since music has always been a big part of my life, I always wondered how my elementary school friends, who loved music class and choir, eventually left it behind once we started hitting middle school. I also think for my generation, the idea of being in choir or theatre was labeled as “cringe” or “uncool”. Self-conscious adolescents may struggle to want to keep up engaging in the arts to avoid that stereotype. However, when we grew up and would go on drives, they would sing like no one is watching- sometimes I’d know someone for years and have no idea they had an incredible sense of voice and musicality. I think I could use more low stakes singing in my life for this reason. Everything has become so serious since I decided to turn a hobby into a profession, and I’d like to work on singing songs that I enjoy- just for me. Practice has been going well, though I’ve had moments of defeat or stress. There have been successes as well, and when I’m practicing songs that I truly love, I feel so free.

    Hailey Petersen

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  11. I found this study to be extremely interesting. Singing and music has always been something I’ve loved but failed to seriously pursue throughout my life due to embarrassment and a lack of talent. This has led me to never really develop a range or understanding of my voice, but if I had a safer environment to practice perhaps that wouldn't be the case. However, I feel that the performances in class have already begun to help with my voice and stage presence. I personally would love to tackle any opportunity to sing in front of others to continue building this skill. Karaoke bars or things of that nature would be a good way to pursue that. Practice has been alright; I’ve noticed my voice becoming increasingly more strained so I’m trying my best to moderate that.

    Lucas Van Orden

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  12. Some really relevant thoughts in my brain were brought up in this post. When I think about how I fit into this idea of "use it or lose it", I am a professionally trained singer, with a base of "natural talent" (or however you want to call that, that term sounds so bratty and pretentious, maybe it's just having an ear from a young age), and professional aspirations. So, the use it or lose it mentality has never been more prominent. My entire career and (financial) wellbeing is based on how hard I work to constantly push myself to be above the rest of the people in the industry, something I'm not sure I'll ever achieve, but what I work for. If I don't use it, I can't keep up with my idols, the ever-changing industry, or even my goals. That can be really draining and mentally damaging at times. That being said, YES, I need more low stakes singing opportunities. Most definitely. But it's hard at this point in my life and in our career to find the extra time to do things that don't significantly benefit our resume or pay us a (f!cking) livable wage. But I think it could be really helpful for me to have those outlets.

    Helena Goei

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  13. I think it's really interesting that there is a trend when it comes to when people stop singing and how that affects their abilities. When I was younger I used to have a choir director that would say "your either born with it, or your not" and I never liked the definitive nature of that. When you mention other skills like riding a bike or running, everyone agrees that those skills can be improved with work. People don't always feel that way about singing. I think it is a learned skill though and it can be improved whether you were "born with it" or not. My practice has been going well. I definitely should find more low stakes times to practice with other people. I practice alone and I've noticed that my sound changes when I'm in front of other people.

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  14. I definitely believe everything he says to be true. So many a times, I have been hanging out with friends who don't like to sing around me as if I, as a singer, would judge them if they don't sound good. I think they neglect to understand that I don't sound good when driving around the Avenues at 11pm, windows down, singing along to pop songs. Everyone can get better at a skill. Not immediately. But it takes time and effort. You can't just get on a bike and start riding it down a hill. You need to find the balance, how to control your speed, use your brakes, which way to lean. There is multifaceted steps to every skill we want to learn. And I work best when not under pressure. So that is what I loved that you mentioned at the end. Any vocal work is practice at your singing voice. I sing with my friends all the time, or even by myself in my car. And I notice that sometimes I will legitimately pull aspects from what I am learning in my voice lessons into the songs that I am singing in the car, even if they are far removed from musical theatre, all the aspects still apply. As long as you are there to enjoy your instrument and keep it healthy and put in the effort when needed, I believe anyone can get better at singing.

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  15. That study relates to me so much, holy crap. When I was younger I had people... some of which were in my family that would make fun of me for my singing. I don't know why that in particular has had such an effect on me. I find it interesting that negative feedback on singing specifically can have an exaggerated effect when compared to other skill like soccer for instance. I wonder if theres a reason that singing is that specifically personal. As for my practice, it's going ok, I think I've gotten much more willing to sing songs fro fun randomly which I hope is helping as well.

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  16. I feel like I have such a different experience with this because it wasn’t until college and meeting you that I started taking voice lessons so all my life leading up to this has been those low stakes situations. Just years and years of singing alone in my room with no issues and no anxiety of having to show it to anyone. Just me singing for me and loving music all on my own. I’ve come a really long way since then but nowadays it’s always high stakes so I do miss those quieter days sometimes. I still sing for myself in my car and have my own little jam sessions or will karaoke with friends occasionally but it’s not as often as I’d like. I spend more time stressing over the things I have to do which isn’t fun. I have to try and bring back the low stakes because it really is what keeps me sane sometimes. I think it’s absolutely necessary. Practice has gone well overall. Overwhelming as always when it comes to how many things I have to practice but well nonetheless. Just gonna keep pushing through!

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  17. I definitely can connect with a lot of the material discussed about in regards to voice confidence especially when going through puberty. For me, I was a consistent singer in musical theatre and plays growing up throughout elementary school, middle school, and my freshman year of highschool but it wasn't until puberty started to change my voice from a high tenor to a mid range baritone, and because of this change not only did I lose the confidence and control that I had once cultivated within my voice but I started losing a lot more of the roles that I had previously gotten in some of the musicals I was in because my range wasn't as flexible as other tenor singers. This not only shock my confidence in preforming, but definitely prevented me from exploring and loving my singing voice. And now looking back at the experience, I see for the most part, my range hadn't changed all too much, however, it did take time and effort for me to become more comfortable within my higher range, it took consistent practice and effort to learn how to reuse my singing voice in an effective and positive way. Which is why I completely agree on the perspective that regardless of your voice type, style or change; practicing and consistency really make or break a good artist or singer.

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  18. Like many things in life it’s slightly heartbreaking to suddenly go from singing my heart out as a child without a care in the world to being super insecure about if I am “good enough” or not. In middle school and high school I’d hear my friends who did choir sing and I just thought to myself “I don’t sound like that so I shouldn’t even try.” Over the years I have realized that I would only sing around people I knew wouldn’t judge me or I’d only sing things that I knew would sound good because I had practiced it in secret. Having an environment where I feel safe enough to explore my voice and let loose has been a very unfamiliar yet refreshing feeling. The “use it or loose it” method is so applicable to almost any skill. It reminds of how when I don’t play soccer with my friends for about a week I go back and I am so rusty, it takes me awhile to get back into the swing of things and it feels even quicker for singing. The muscles we use to sing need to be worked out if we ever want to advance in our stages just like any other skill we do with a muscle.

    Emily Williamson

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  19. When it comes to singing, I lack confidence in myself. I truly believe that my voice is terrible and cannot be heard by others, so I avoid listening to myself sing or hearing my voice in general. However, I believe that singing with others in class or in front of the class has help me feel more connected and improve my musical communication skills. Additionally, i think continuing this practice will boost my confidence, and eventually help me overcome my stage fright, and allow me to develop a more expressive and dynamic vocal performance.

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