Sunday, March 17, 2019

Show and tell

Those of you who have taken the MTP Vocal Pedagogy course are familiar with Clifton Ware's book Basics of Vocal Pedagogy: The Foundations and Process of Singing. Even though my brother used to study with Dr. Ware—and I took a lesson from him years ago—I had never read his book until last month. Despite its publication date of 1998, I was pleasantly surprised at how up-to-date it read and how it was aligned with many pedagogical practices I had only learned about in the last several years. Clearly, I would have been better served to have read the book sooner.

One of the sections that intrigued me was called The Teacher/Student Relationship, which is tucked away in Chapter 13: Teaching Singing. Dr. Ware breaks this relationship down into "Teachers' responsibilities" and "Students' responsibilities," and says, "In order for the relationship to be mutually supportive, both teacher and student have specific roles to play."

In the "Teachers' responsibilities" he writes:
"[...] effective teachers guide students in setting realistic goals and expectations, offer regular constructive feedback, stay attuned to students' personal problems, focus on students' needs during lessons, and provide environments for learning that are healthy, clean, and attractive." -Basics of Vocal Pedagogy, p.259
Although I wouldn't exactly call FAW "attractive," these are still good reminders to me. I know I mention goals a lot at the beginning of the semester and here on the blog but I don't often mention them in lessons. Now that we are post-spring break, it might be a good goal of mine to check in with all of you more regularly on your progress toward your goals. Also, while it may seem too personal for him to advise that teachers "...stay attuned to students' personal problems," we all know that personal problems can sometimes interfere with your ability to perform vocally. Of course, you are never required to share your personal problems with me, but you should also know that you are free to share this information and it will be received without judgement. I like to think of my studio as a free speech zone and I hope all of you feel that way as well.

Regarding the "Students' responsibilities," this quote stood out to me the most:
"[...] rather than simply responding to instruction, students are expected to take initiative in the learning process by stating personal goals, offering pertinent background information, demonstrating problems, raising questions, and requesting help when needed. Ideally, lessons become 'show and tell' opportunities for students to demonstrate what they learned the preceding week." -Basics of Vocal Pedagogy, p.259
I really love the idea of lessons becoming 'show and tell' sessions. When you are getting your 300 weekly required minutes of vocal practice (according to the MTP handbook), inevitably, you will run into issues. Questions will arise, triumphs will occur, and you will run into some brick walls. That's what I want to hear about at your lessons. In fact, there is no clearer signal to me that you have been logging your hours of mindful practice than when you come to your lessons with a list of questions that came up during your practicing.

As we head into the last stretch of the semester (it's just more than a month until juries!), let's see how attentive you can be to your practicing. There is still plenty of time for technical improvements and refinement of your expressive and performance skills.

So, whatever happens, let's begin!

Now go practice.

Goat get your goals!

11 comments:

  1. In all honesty, I have never read an educational book outside of being told to. This is likely because it very rarely occurs to me and when it does, I’m never in the right situation to act upon it. I think it comes from my inability to ask for help (it’s not that I don’t like asking for help, it’s just that asking for help is never one of the options my brain presents to me when confronted with a problem so it just doesn’t really occur to me). I always assumed that my education was going to be the journey of myself and my instructors and, as I’m thinking about it, I really don’t know why that can’t include outside sources of knowledge. So I guess a goal for me at this point is to reach out more and let people know when I’m having an issue (specifically vocally in this case) and to go searching for more knowledge instead of simply letting it come to me.

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  2. I think it's a good idea to go into practicing with a more attentive ear I definitely can tell when I'm just practicing to practice with no real goal or accomplishment in mind, I'm just doing it because I know I should. And when practice becomes passive it's not very beneficial. I have found i'll start ingraining mistakes into muscle memory unknowingly. In contrast with when I actually engage in practicing and have certain goals or corrections in mind practice becomes more beneficial and I retain a lot more. I think I will try and write my questions down more often because I have plenty when I practice but I cannot remember them when I get into a lesson.
    I've also noticed now as a Junior that I see the most growth through what I think are tiny specific things, but those small notes and technical improvements is where I find the most creativity and growth in my craft as a singer/actor.

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  3. I am very glad that I was able to read this blog post, because it helped me realize that goals are very important (for my education and for life in general). I haven't really been keeping up with the goals that I made at the beginning of the semester. I've kind of just been going to my lessons and then going home and practicing my songs. However, now I can start to refocus on working on my voice and how to train my voice in a productive and healthy way. I think what I want to refocus on working on is being able to transition among the different placements of my voice. Especially because I have songs that require a different placement for each, it's important to be able to realize where in my voice I need to sing that song and to be able to do it. Another recent goal I have is to start memorizing my songs, because vocal juries are coming up soon!! I think I'm pretty okay when it comes to being memorized; I think I just need to be confident about it now!

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  4. From Trey Pullen:
    "I for sure need to get better at practicing with a clear focus and intent. I too often find myself not knowing what to do when I sit down to practice every day. Obviously, I have been given great guidance on exactly what to do- break down the notes and text separately so you have it nailed down to do together. But aside from this, I feel like I am just doing these things mindlessly and without intention. I think it might be good to formulate questions or goals before I go into both my lesson AND practice sessions. I never really thought of doing this as it is a "practice" session, but honestly, I may get just as much done by myself because, despite not having guidance like in a lesson- if I go in with a clear and fresh goal like I try to with lessons. I also think that seeking knowledge from all the vocal resources we have out there would be helpful to me, because things worded a different way than what I have been told may help me brain connect what they were trying to say."

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  5. I've never really thought of my lesson as a "show and tell" opportunity but thinking back it definitely just naturally works that way for me. This last lesson was a great example where I had a little bit of a breakthrough in my practice which was nice because I had a million questions about it in my lesson. The hard part about this for me is that I don't have breakthrough's every single week so when my voice is being stagnant I don't always have as many questions. Then again, I do end up asking a question about why nothing is happening. I think what would help me is not just waiting for the next big breakthrough and just really think about what's happening even if it didn't change from week to week.

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  6. I liked the quotes you pulled from that book, it seems interesting to me so I might even look into buying it. In regards to how I feel this relates to my lesson, I never go into a practice session thinking that it is gonna be a back and forth of just you give me a couple tips, then I take those tips, then you critique. I go into knowing it's going to be a conversation not just the conversations we tend to have during the lessons, but a conversation between my singing and your mind.
    I agree with the whole mentality of taking initiative and not being scared do demonstrate and point out problems we may be having as students either during lessons or outside. I think when you have the ability to do this is greatly increases your production because you're not scared to ask those sometimes scary/embarrassing questions.

    I want to be a little better at asking those questions, but I still find myself a bit shy and nervous asking those types of questions because like I said, it can be embarrassing, especially since I'm not an MTP student and most of your students fall within that program it can definitely be a bit intimidating and nervous to ask those questions.

    Even with that sense of nervousness though, I still find it easy to ask and communicate with you during our sessions, and when I mess up I try to own it every time and then just redo it to show you that I can do it and that I'm not just gonna shy away form the hard parts every time.

    Sorry I wasn't able to be there in Friday, I'll see you this week,
    Connor Mamaux-Partridge

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  7. This brought a few things about myself to my attention. First off, and this is something that I have always had troubles with, especially threw middle school, is seeing education as a two way relationship. I need to work on realizing that me and the teacher are working together. It’s not a huge problem in classes that I actually seek to take, but in classes that I need to get out of the way, I have a hard time working with the teacher.
    The second thing I realized is that, I deal with my problems in a very bad way, physical and emotionally, and even when that is pulling me down, I still keep them hidden deep inside me. And I don’t know if I can ever change that about me, but I will strive to try.
    And the third thing is that I am insanely terrible at keeping to my voice rehearsal schedule. I get in my practices most of the time, a good amount of the times, quite hastily. And I will really start sticking to the schedule I made for myself.

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  8. I really love the idea of lessons being like a show and tell. During the week, when practicing, I often find that I have trouble with certain sections in my songs. This can be frustrating, especially when I can’t seem to get it to work after numerous tries. But when I work through these sections in lessons, they become a lot easier to work. Additionally, I can’t remember if I set any goals for myself at the beginning of the semester, other than to be prepared for each class. As a goal I would like to have my three songs completely memorized by my next class, and to begin working on characters for my songs. Another goal would be to learn more and understand the differences of singing in head voice versus chest voice, and to find in my songs where each of these things are neeeded. The part of this blog about personal problems was very comforting to me. When I have things going on in my life I often times will try to avoid and ignore them, and this can affect my school work and dedication to vocal practice. It’s good to be reminded that I don’t need to let that happen.

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  9. I personally know I wouldn’t be here without the help of my teachers. But I never really thought of how much I truly love being in the classes with the teachers who know me personally. Growing up I’ve had some great teachers and bad ones, but instead of me only thinking that there teaching styles were to blame maybe it was because I wasn’t the most comfortable in the class. I now remember deeply loving the classes where me and my teachers were good friends and that they knew me, not only as a student, but as a human being. I also agree that with each lesson every week it is indeed a show case of the skills you acquire and the new knowledge you’ve obtained. Which I think is why I personally get nervous. When I practice by myself everything is great but when I have an audience I care about it’s difficult. However the closer I think I may come to my professors and performing directors the easier it will be. Thank you.

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  10. From Caden Tudor:
    "I really understood this blog. Recently I have had so many different pieces of music to learn and retaining all of them have been a very hard learning experience for me. It occurred to me in my last lesson that I am not as good as I thought I was with learning music quickly. I walked into my lesson feeling well prepared with all my jury songs, but coming to find out that I wasn't prepared at all. I realized that the 300 hours doesn't really work for me at my current place in time. And in fact I need to dedicate more time to make sure I am well practiced in everything, rather than partially practiced in everything. I never thought of a lesson as show and tell, but now I would like to think of every lesson as show and tell. I want to make every lesson beneficial and I want to walk out feeling that I put my best work into my music."

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